top of page
29 May-2 June 2026
Math, Science & Art: Making Sense of Patterns
Organized by Stanislas Dehaene and Phyllis Hattis

​

Mathematics has been characterized as the “science of patterns” – yet many children never see the beauty of this concept.  By improving the teaching of mathematics, how can we help students see these essential relationships?  Can we teach a sense of patterns to create more bridges between mathematics and the visual arts?

00001 - Phyllis & Susan.00_04_59_06.Still002.jpg

ABOUT THE ORGANIZERS

 

Stanislas Dehaene holds the Chair of Experimental Cognitive Psychology at Collège de France in Paris. He directs the INSERM-CEA Cognitive Neuroimaging Unit and the NeuroSpin Center (France's advanced neuroimaging research center), both located in Saclay, south of Paris. Professor Dehaene’s research investigates the neural bases of human cognitive functions such as reading, calculation and language, with a particular interest for the brain mechanisms of mathematics, their relationship to language networks, and the differences between conscious and non-conscious processing. The author of four popular books in cognitive neuroscience, Professor Dehaene is a member of six academies, including the US National Academy of Sciences and the Pontifical Academy, and a recipient of the Grete Lundbeck Brain Prize, among other awards.

 

​

Dr. Phyllis Hattis, President and Founder of Centre L’Oubradou, is a Harvard educated art historian. She began her career in 1970 as a Ford Foundation Fellow joining the Fine Arts Museums of San Francisco as a Visiting Curator. Her scholarly and critical writings include exhibition and collection catalogues as well as articles in art history journals, covering subjects ranging from Old Master drawings to Modern Art. Research has taken her to most of the major museums and private collections throughout Europe and America. Since 1986, Dr. Hattis has engaged in the art market, advising her clients when buying and selling works of art and applying her curatorial skills to build serious art collections, publish catalogues and provide documentation and appraisals for her clients. She has built a personal, substantial collection of Tribal and Modern art that extends to contemporary masters.

​

Her experience in the field has led her to ponder the cognitive mechanisms underlying the perception and creation of art.​

​

PARTNERSHIP

 

Centre L'Oubradou is proud to co-sponsor this workshop with its distinguished participants and supporters.

Weblogos3_edited.jpg

Copyright 2026 Centre L'Oubradou, All rights reserved.

bottom of page